The Carter Review
In this portrait of the prolific rap artist, Lil Wayne, director Adam Bala Lough is able to capture the essence of the star by showing footage of him in interviews, showing his music and then contrasting this with the real behind the scenes Lil Wayne. To Lil Wayne, life is completely about music. He spends all day everyday recording. "I don't have time for sex," he says. The film in parts is completely a music video and it is able to document songs that will never be released on track. The director also interviews Lil Wayne's daughter and people closest or farthest from him. When asked about the best gift hes ever given her, she says, "When he's here." And so as the film goes on to document Lil Wayne's cough syrup, codine, and marijuana addiction, and his best friend but also manager says that he can't ride the tour bus because he can't stand to see Lil Wayne in his drugged out state, the film is ultimately depressing.This is the power of the film. Most viewers go into the film expecting to see a life of flashy fame, but are given a life of loneliness.
My Rating 8/10 Bottom Line Excellently and honestly is able to document the life of an iconic musician.
Shrink Review
This film that centers around a stoner Hollywood therapist played by Kevin Spacey has many different intersecting stories but is never tied together to form a coherent or meaningful narrative. Kevin Spacey is suffering from depression after his wife committed suicide and his apathetic towards his clients: an overstressed agent, screenwriter, and other Hollywood caricatures. The film is funny at times as it pokes fun at Hollywood types. The conflict that the therapist faces is when takes up a pro-bono case of a girl who's mother committed suicide. Although a typical viewer would expect that these two character's would connect, this is never shown and there is no real character development. The plot is also a bit cliche, Kevin Spacey as a depressed figure that self-medicates by smoking, that sound an awful lot like a movie that came out a few years ago...American Beauty! It will be interesting to see if the movie can be saved by a studio by adding more scenes to enrich the plot.
My Rating 4/10 Bottom Line Suffers from a lack of character development and the film is unable to transcend a basic caricarature of Hollywood stereotypes
Wednesday, January 21, 2009
Sunday, January 18, 2009
7 Films in 24 Hours.
I just saw my 7th film in 24 hours! I am really tired as I only got 4 hours of sleep last night, so I will soon take an extended nap. I started with a block of Sundance shorts at 11:15, some of which were really interesting.
I then went to Cold Souls at 5:15. I sat two rows behind Paul Giamatti and the rest of the cast and crew of the movie. After Cold Souls, I had a ticket to Paper Heart at 8 at the same theater. So, I walked out and bought some banana bread. There was this small tent called the "Meeting Room" next to the major tent with the concessions and waiting lines. For some reason, I assumed that this smaller tent was were people ate. So, I walked in to the crowded tent and was just standing in the corner eating my bananna bread. I look over to my left, and I see someone I thought I recognized right next to me. Holy shit, it was Michael Cera! (Superbad, Juno, Arrested Developement, etc.). And then I saw the main girl from Paper Heart walk in. A security finally tapped me on the shoulder and upon realizing that I wasn't of a high enough stature to access this VIP tent, I was asked to leave. I then walked into the plebian tent, and a bunch of girls that I knew were in the front of line, so I jumped in the front.
After Paper Heart, I went and saw The Carter. Then, this morning I saw The Greatest, a block of Slamdance Shorts, and Only. That makes 10 films so far this trip.
The Greatest Review
This film about how a family copes with the death of a high school son in a car crash is excellent besides two fatal flaws; the acting ability of the two major actors, Susan Sarandon and Pierce Brosnan. The story is incredibly compelling, the son is killed and his girlfriend survives. It turns out his girlfriend is pregnant! The family takes her in and this added some complexity to the greif the family portrays. The actress that played the girlfriend did an excellent job as did the stoner younger brother. They were both extremely beleivable. There is a scene in the begining of the film, when the family is being driving back from the funeral that is breathtaking. It portrays the family in complete silence and stillness and the misery fills the air.
And then, the most important component of the movie, the grief of the mother was ruined, because Susan Sarandon can't act. There were scenes that were almost laughable because it was so poorly portrayed. Pierce Brosnan was better than expected, but still good for Pierce is mediocre. The first time director that also wrote this film did an excellent job, but she was failed by these overrated stars that should never be casted to play a role of any sort of difficulty or complexity.
My Rating 6/10 Bottom Line: Well made film with a great story that was failed by the two-bit actress that is Susan Saradon.
Cold Souls Review
This dreamlike dark comedy starring Paul Giamatti is strangley hilarious at times and at other times it is moving. Paul Giamatti who plays himself in the film, is an actor in misery that is struggling with acting a soulful character in a Chekov play. He reads an article in The New Yorker about a company that can extract souls and preserve them, so one can live without a soul. Giamatti being curious decides to check it out. David Strathairn plays the soul doctor and is hilarious. Giamatti's first visit is full of humorous dry jokes as he is convinced to have his soul extracted. After feeling hollow and empty without a soul, Giamatti decides to borrow the soul of a Russian poet. Unsatisfied, all he wants is his own soul back, however it has been borrowed by the soap opera actress wife of a Russian mafioso.
The way the film is portrayed is very surreal and the director did an excellent job capturing this feel. Giamatti steals the screne as he is humorous and yet can believably portray such complex emotion.
My Rating 8/10 Bottom Line: Giamatti graces the screne in this dreamlike dark comedy.
I then went to Cold Souls at 5:15. I sat two rows behind Paul Giamatti and the rest of the cast and crew of the movie. After Cold Souls, I had a ticket to Paper Heart at 8 at the same theater. So, I walked out and bought some banana bread. There was this small tent called the "Meeting Room" next to the major tent with the concessions and waiting lines. For some reason, I assumed that this smaller tent was were people ate. So, I walked in to the crowded tent and was just standing in the corner eating my bananna bread. I look over to my left, and I see someone I thought I recognized right next to me. Holy shit, it was Michael Cera! (Superbad, Juno, Arrested Developement, etc.). And then I saw the main girl from Paper Heart walk in. A security finally tapped me on the shoulder and upon realizing that I wasn't of a high enough stature to access this VIP tent, I was asked to leave. I then walked into the plebian tent, and a bunch of girls that I knew were in the front of line, so I jumped in the front.
After Paper Heart, I went and saw The Carter. Then, this morning I saw The Greatest, a block of Slamdance Shorts, and Only. That makes 10 films so far this trip.
The Greatest Review
This film about how a family copes with the death of a high school son in a car crash is excellent besides two fatal flaws; the acting ability of the two major actors, Susan Sarandon and Pierce Brosnan. The story is incredibly compelling, the son is killed and his girlfriend survives. It turns out his girlfriend is pregnant! The family takes her in and this added some complexity to the greif the family portrays. The actress that played the girlfriend did an excellent job as did the stoner younger brother. They were both extremely beleivable. There is a scene in the begining of the film, when the family is being driving back from the funeral that is breathtaking. It portrays the family in complete silence and stillness and the misery fills the air.
And then, the most important component of the movie, the grief of the mother was ruined, because Susan Sarandon can't act. There were scenes that were almost laughable because it was so poorly portrayed. Pierce Brosnan was better than expected, but still good for Pierce is mediocre. The first time director that also wrote this film did an excellent job, but she was failed by these overrated stars that should never be casted to play a role of any sort of difficulty or complexity.
My Rating 6/10 Bottom Line: Well made film with a great story that was failed by the two-bit actress that is Susan Saradon.
Cold Souls Review
This dreamlike dark comedy starring Paul Giamatti is strangley hilarious at times and at other times it is moving. Paul Giamatti who plays himself in the film, is an actor in misery that is struggling with acting a soulful character in a Chekov play. He reads an article in The New Yorker about a company that can extract souls and preserve them, so one can live without a soul. Giamatti being curious decides to check it out. David Strathairn plays the soul doctor and is hilarious. Giamatti's first visit is full of humorous dry jokes as he is convinced to have his soul extracted. After feeling hollow and empty without a soul, Giamatti decides to borrow the soul of a Russian poet. Unsatisfied, all he wants is his own soul back, however it has been borrowed by the soap opera actress wife of a Russian mafioso.
The way the film is portrayed is very surreal and the director did an excellent job capturing this feel. Giamatti steals the screne as he is humorous and yet can believably portray such complex emotion.
My Rating 8/10 Bottom Line: Giamatti graces the screne in this dreamlike dark comedy.
Saturday, January 17, 2009
Slamdancin' Friday
On Thursday and Friday I worked for Slamdance an alternative festival to Sundance that is smaller and more independent. On Thursday we helped them prepare for their opening night party and as a reward we recieved tickets to the party. However, the five of us who are under 21 couldn't get in! It was terrible because later we found out that the whole cast of It's Always Sunny In Philadephia was there. Even more terrible because one of my roommates met the blonde from the show, "Dee" (I don't know her real name) was invited to her movie's opening night party and he is going to interview her and do his profile on her.
Yesterday, I went to Slamdance at 4. On the way there, I saw Christy Brinkely. At Slamdance I worked for 2 hours putting up posters but then I got to see two movies. I saw Mississippi Damned and Zombie Girl (reviews below).
Today I woke up to wait in the box office line at 6. We thought we would be the first ones there, but it turned out that people sleep over night to get tickets. There were hundreds of people that had gotten there at 12 the night before because Sundance releases some tickets to sold out shows the day of. However we waited in line for an hour and a half and it turned out to be sucessful. I got a ticket to The Carter (Lil Wayne's documentary) at midnight and the first showing of The Greatest (with Susan Sarandon, Pierce Brosnan about a family whose son is killed in a car accident) tomorrow morning.
So today I have an extremely busy schedule. At 11:15 I am seeing a block of short films. Then at 5:15- Cold Souls (a sci-fi movie with Paul Giamatti), then at 8, Paper Heart ( a mockumentary about love), then The Carter at 12. I'm pumped.
Mississippi Damned Review
This film about a black community in the deep south was flawed because it was filled with too much despair. The film is filled with tragic stories. For instance, each one of the husbands in the film is a gambler and unfaithful, one character is convicted of manslaughter, a rising high school basketball star is a petaphile who rapes his younger cousin, and there are even more depressing story lines. From the beginning of the movie the viewer is swamped with sorrowful scenarios and it doesn't focus on anyone of the stories in particular. The focus does not come until later in the movie when an aspiring artist that has a chance to go ot NYU. Also, because it was a lower budget film, there was no music, which made it even harder for the viewer to take. Although it ends on a slight note of optimism (one character gets to go to NYU with money from her aunts will) and the acting is good, this slightly uplifting ending is not enough to make up for the first two hours of tragic torture.
My Rating: 5/10 Bottom Line: Well acted and could be saved by some tweaking of the plot
Zombie Girl
This documentary filmed by three film school students in Austin, Texas is about a 12-year-old movie fanatic, Emily Hagins, who decides to make her own zombie movie. The film follows her and her mother on their two year project and captures every mishap along the way. The begining of the film is hilarious as some of the quotes from Emily and her friends are priceless. As the movie progresses, the struggle between Emily's over involved and over eager mother and the pissy pre-teen attitude of Emily becomes the focus. It is almost sickening how dedicated her mother is, at one point she says "I would do anything for Emily to accomplish her dream of filmmaking, even sell my house." At the same time, she can barely handle her responsibilities in making the film as she also works full-time and her high stress level is apparent as the filming of "Halogen" stagnates.
After the film, Emily and her mom along with the directors of the film answered questions for the audience. Emily and her mom both talked and acted exactly like they did in the film which brought a realness to the documentary. Emily is now 16 and has already in the post-production of her second feature, a ghost movie which had a $10,000 bugdet that see was able to finance through film grants and fundraisers.
My Rating: 7.5/10 Bottom Line: This is a should-see for aspiring young filmmakers and mothers and daughters alike
Yesterday, I went to Slamdance at 4. On the way there, I saw Christy Brinkely. At Slamdance I worked for 2 hours putting up posters but then I got to see two movies. I saw Mississippi Damned and Zombie Girl (reviews below).
Today I woke up to wait in the box office line at 6. We thought we would be the first ones there, but it turned out that people sleep over night to get tickets. There were hundreds of people that had gotten there at 12 the night before because Sundance releases some tickets to sold out shows the day of. However we waited in line for an hour and a half and it turned out to be sucessful. I got a ticket to The Carter (Lil Wayne's documentary) at midnight and the first showing of The Greatest (with Susan Sarandon, Pierce Brosnan about a family whose son is killed in a car accident) tomorrow morning.
So today I have an extremely busy schedule. At 11:15 I am seeing a block of short films. Then at 5:15- Cold Souls (a sci-fi movie with Paul Giamatti), then at 8, Paper Heart ( a mockumentary about love), then The Carter at 12. I'm pumped.
Mississippi Damned Review
This film about a black community in the deep south was flawed because it was filled with too much despair. The film is filled with tragic stories. For instance, each one of the husbands in the film is a gambler and unfaithful, one character is convicted of manslaughter, a rising high school basketball star is a petaphile who rapes his younger cousin, and there are even more depressing story lines. From the beginning of the movie the viewer is swamped with sorrowful scenarios and it doesn't focus on anyone of the stories in particular. The focus does not come until later in the movie when an aspiring artist that has a chance to go ot NYU. Also, because it was a lower budget film, there was no music, which made it even harder for the viewer to take. Although it ends on a slight note of optimism (one character gets to go to NYU with money from her aunts will) and the acting is good, this slightly uplifting ending is not enough to make up for the first two hours of tragic torture.
My Rating: 5/10 Bottom Line: Well acted and could be saved by some tweaking of the plot
Zombie Girl
This documentary filmed by three film school students in Austin, Texas is about a 12-year-old movie fanatic, Emily Hagins, who decides to make her own zombie movie. The film follows her and her mother on their two year project and captures every mishap along the way. The begining of the film is hilarious as some of the quotes from Emily and her friends are priceless. As the movie progresses, the struggle between Emily's over involved and over eager mother and the pissy pre-teen attitude of Emily becomes the focus. It is almost sickening how dedicated her mother is, at one point she says "I would do anything for Emily to accomplish her dream of filmmaking, even sell my house." At the same time, she can barely handle her responsibilities in making the film as she also works full-time and her high stress level is apparent as the filming of "Halogen" stagnates.
After the film, Emily and her mom along with the directors of the film answered questions for the audience. Emily and her mom both talked and acted exactly like they did in the film which brought a realness to the documentary. Emily is now 16 and has already in the post-production of her second feature, a ghost movie which had a $10,000 bugdet that see was able to finance through film grants and fundraisers.
My Rating: 7.5/10 Bottom Line: This is a should-see for aspiring young filmmakers and mothers and daughters alike
Friday, January 16, 2009
It Might Get Loud
I woke up early this morning to get into the waiting line for It Might Get Loud. Because the bus to the theater didn't run until 8, Alec and I had to take the bus to a resort a mile a way and walk. Since we were the 9 and 10 people in line we barely made it (15 were admitted) It was at a brand new temple and was the first screening ever shown there. One of the Sundance programmers that spoke before the screening joked, "We are at a temple, its about to become a temple of rock."
It Might Get Loud Review
In this film, three of the most prolific guitarists of their times, Jack White, The Edge, and Jimmy Page, are brought together to talk about rock. Although this is the premise of the documentary very little footage of the actual meeting are shown. Instead, the movie is driven by the juxtaposition of interviews and footage of each of the individual artist. The director, Davis Guggeheim (who also directed An Inconvenient Truth) chose the perfect three artists for the movie because they are so distinct from each other not only in their music but in their philosophies.
Jack White is the most open of all the artists in the movie because he was able to genuinely express his approach. To Jack, music is a struggle, "You have to pick a fight with the guitar," he says. His view was artistically expressed in a scene where Jack is talking about the history of the blues and on the screen footage of Jack playing "Blue Viens" in concert so hard his hands are bleeding all over the guitar is contrasted with pictures of historical blues musicians. This modern day blues artist adresses everything from his past to his influences throughout the movie.
The Edge, in stark contradiction to Jack White's minimalistic style and plastic Airline guitar, is shown through out the movie playing with effects modules and techonologic pedals to produce his U2 stadium rock style. He explains in the movie how it is possible to completley change the sound of the guitar just by utilizing these innovations. He also talked about U2's past and how they started off by playing after school in their elementary school and their early struggles.
To Jimmy Page, rock is sex. "The curves of the guitar are like a woman's," he says at one point and later on when talking about Stairway to Heaven, "it just builds and builds like an orgasm." It was obvious throughout the movie that Jimmy Page was not accostumed to interviews becuase it seemed that he struggled with being open. But, this prolific Led Zeppelin guitarist was a key dynamic in the movie because he was able to address his developement as an artist in the dawn of rock.
These three artists were able to capture the history and the essence of rock and ultimately the film is not just about music, but ultimately it is a statement about culture and how music is statement the times and the experiences of each artist.
Director Q and A
After the film, Davis Guggenhiem and the editor and producer of the movie came out for a question and answer session. The director said that when the artists were going to meet, no one really knew what was going to happen. There was no real plan and for the first few hours of their two day gathering, it was very quiet and difficult for each of them to open up. The reason that they picked the three artists was because they decided to pick a few artists that they loved and that the selection was "intuitive rather than scientific". Guggenheim also said that most music documentaries frustrate him because they are always either "encyclopedic" or they only talk about drugs and sex and they are never about music. He finally commented on the style that he discovered during An Inconvenient Truth. He found that the most effect interviews were done with the least amount of equipment and the best were done with only a recorder. So, what he did on this film and An Inconvenient Truth is play the audio over footage.
My Rating 9/10 Bottom Line: I was absolutely blown away by this film and I had goosebumps throughout.
It Might Get Loud Review
In this film, three of the most prolific guitarists of their times, Jack White, The Edge, and Jimmy Page, are brought together to talk about rock. Although this is the premise of the documentary very little footage of the actual meeting are shown. Instead, the movie is driven by the juxtaposition of interviews and footage of each of the individual artist. The director, Davis Guggeheim (who also directed An Inconvenient Truth) chose the perfect three artists for the movie because they are so distinct from each other not only in their music but in their philosophies.
Jack White is the most open of all the artists in the movie because he was able to genuinely express his approach. To Jack, music is a struggle, "You have to pick a fight with the guitar," he says. His view was artistically expressed in a scene where Jack is talking about the history of the blues and on the screen footage of Jack playing "Blue Viens" in concert so hard his hands are bleeding all over the guitar is contrasted with pictures of historical blues musicians. This modern day blues artist adresses everything from his past to his influences throughout the movie.
The Edge, in stark contradiction to Jack White's minimalistic style and plastic Airline guitar, is shown through out the movie playing with effects modules and techonologic pedals to produce his U2 stadium rock style. He explains in the movie how it is possible to completley change the sound of the guitar just by utilizing these innovations. He also talked about U2's past and how they started off by playing after school in their elementary school and their early struggles.
To Jimmy Page, rock is sex. "The curves of the guitar are like a woman's," he says at one point and later on when talking about Stairway to Heaven, "it just builds and builds like an orgasm." It was obvious throughout the movie that Jimmy Page was not accostumed to interviews becuase it seemed that he struggled with being open. But, this prolific Led Zeppelin guitarist was a key dynamic in the movie because he was able to address his developement as an artist in the dawn of rock.
These three artists were able to capture the history and the essence of rock and ultimately the film is not just about music, but ultimately it is a statement about culture and how music is statement the times and the experiences of each artist.
Director Q and A
After the film, Davis Guggenhiem and the editor and producer of the movie came out for a question and answer session. The director said that when the artists were going to meet, no one really knew what was going to happen. There was no real plan and for the first few hours of their two day gathering, it was very quiet and difficult for each of them to open up. The reason that they picked the three artists was because they decided to pick a few artists that they loved and that the selection was "intuitive rather than scientific". Guggenheim also said that most music documentaries frustrate him because they are always either "encyclopedic" or they only talk about drugs and sex and they are never about music. He finally commented on the style that he discovered during An Inconvenient Truth. He found that the most effect interviews were done with the least amount of equipment and the best were done with only a recorder. So, what he did on this film and An Inconvenient Truth is play the audio over footage.
My Rating 9/10 Bottom Line: I was absolutely blown away by this film and I had goosebumps throughout.
Thursday, January 15, 2009
First Day
Park City is amazing! It is probably the most scenic town I have ever been in. It is around 70,000 people and is tucked away in the snow-capped Rocky Mountains. Every building in the area is trendy in a rustic sort of way. The weather is also incredible, because even though there is snow, it is supposedly sunny and around 40 degrees every day. The only downfall is the thin mountain air. My lungs struggled a few times today just by walking and doing other normal activities. And it is really easy to get dehydrated.
This morning we had the programmer from the Sarasota Film Festival speak to us about running an independent film festival. He said that he watches 5 to 6 films a day and explained how film festivals like his shop around for films to bring for their festival.
After the speaker we went to Slamdance, a smaller independent film festival that runs at the same time as Sundance and has been around for about 15 years. We worked for about 4 hours putting up posters and moving cases of Dos Equis and Jagermeister (two of their biggest sponsors). It was not extremely captivating work, but in exchange for working we get to see all the Slamdance films for free and are invited to attend their parties and events.
After Slamdance, we were spoken to by the film critic by the Salt Lake Tribune. He spoke to us about how he criticises films. He said that the most important thing to address in his criticisms is What the movie is trying to accomplish and how successful the film is at accomplishing it.
It was a very busy day, but also awesome. Tommorrow, I have no tickets, but I am going to get up at 6am to get in the waiting line for the 9am It Might GetLoud. And I am going to work for Slamdance in the afternoon because we have to do three shifts. Also, the Gin Blossoms are playing at the Sundance Cafe in the afternoon which I will definitely try to check out.
This morning we had the programmer from the Sarasota Film Festival speak to us about running an independent film festival. He said that he watches 5 to 6 films a day and explained how film festivals like his shop around for films to bring for their festival.
After the speaker we went to Slamdance, a smaller independent film festival that runs at the same time as Sundance and has been around for about 15 years. We worked for about 4 hours putting up posters and moving cases of Dos Equis and Jagermeister (two of their biggest sponsors). It was not extremely captivating work, but in exchange for working we get to see all the Slamdance films for free and are invited to attend their parties and events.
After Slamdance, we were spoken to by the film critic by the Salt Lake Tribune. He spoke to us about how he criticises films. He said that the most important thing to address in his criticisms is What the movie is trying to accomplish and how successful the film is at accomplishing it.
It was a very busy day, but also awesome. Tommorrow, I have no tickets, but I am going to get up at 6am to get in the waiting line for the 9am It Might GetLoud. And I am going to work for Slamdance in the afternoon because we have to do three shifts. Also, the Gin Blossoms are playing at the Sundance Cafe in the afternoon which I will definitely try to check out.
Tuesday, January 13, 2009
Night Before
I am getting ready to leave and am extremely excited. I leave DePauw tomorrow at 9 am. So far in my Sundance Class we talked about different aspects of the trip and watched and discussed four films. We watched Sex, Lies and Videotape, Murderball, Nina's Tragedies and The Real Dirt Behind Farmer John.
I will be in Park City for 10 days and will be writing reviews (which I will post), working for Slamdance film festival (an alternative to Sundance), and completing a profile of a director, actor, or producer which will involve an indepth interview.
The movies that I have tickets to now are Cold Souls (a science fiction feature with Paul Giamatti), Brief Interviews with Hideous Men (a film based on a novel directed, produced, and starring John Krasinki or Jim from the Office), The End of the Line ( a documentary about the lack of fish on Earth (don't ask)), Shrink ( a movie about a Hollywook psychiatrist starring Kevin Spacey), The Informers ( a movie written by Bret Easton Ellis (the writer of American Psycho) starring Billy Bob Thornton, Kim Basinger, Mickey Rourke, and Winona Ryder about sex and drugs in LA in the 1980s), and In the Loop ( a British dark comedy about war starring James Gandalfini (Tony Soprano).
Besides these films, I will see at least 3 Slamdance films. I will also try to get into as many other films as I can. The two that I am going to try extremely hard to see are The Carter (a documentary on Lil' Wayne) and It Might Get Loud (a documentary featuring Jack White, The Edge, and Jimmy Page).
There will also be concerts and other events at the festival. For example, the Goo Goo Dolls are playing in a concert on Saturday.
Yuup
I will be in Park City for 10 days and will be writing reviews (which I will post), working for Slamdance film festival (an alternative to Sundance), and completing a profile of a director, actor, or producer which will involve an indepth interview.
The movies that I have tickets to now are Cold Souls (a science fiction feature with Paul Giamatti), Brief Interviews with Hideous Men (a film based on a novel directed, produced, and starring John Krasinki or Jim from the Office), The End of the Line ( a documentary about the lack of fish on Earth (don't ask)), Shrink ( a movie about a Hollywook psychiatrist starring Kevin Spacey), The Informers ( a movie written by Bret Easton Ellis (the writer of American Psycho) starring Billy Bob Thornton, Kim Basinger, Mickey Rourke, and Winona Ryder about sex and drugs in LA in the 1980s), and In the Loop ( a British dark comedy about war starring James Gandalfini (Tony Soprano).
Besides these films, I will see at least 3 Slamdance films. I will also try to get into as many other films as I can. The two that I am going to try extremely hard to see are The Carter (a documentary on Lil' Wayne) and It Might Get Loud (a documentary featuring Jack White, The Edge, and Jimmy Page).
There will also be concerts and other events at the festival. For example, the Goo Goo Dolls are playing in a concert on Saturday.
Yuup
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